Album Review: Gogol Bordello - Pura Vida Conspiracy

It always seems like too many years pass between each Gogol Bordello record. Of course, this is never the reality, with the collective having released eight full-length albums since 1999. And of course, every time a new collection of their ramshackle, gypsy- and eastern European-styled music does land, it's undoubtedly glorious. It's the kind of stuff that makes you want to drink vodka and dance.

Pura Vida Conspiracy comes hot on the heels of a 2011 Russian language release (that will not be named due to this reviewer's incompetence with the Cyrillic language) and 2010's brilliant Trans-Continental Hustle. It continues playing to the band's strengths; diverse instrumentation, an elasticity that barely contains the cacophony of sound coming through the speakers, and, front and centre, the irrepressible Eugene Hutz.

The moustachioed, oft-shirtless Hutz is at the top of his game here, his at times pained vocals (Hieroglyph for example) evoking his roots. Although he and his band have called New York City home for years, the Ukrainian and eastern European influences ring loud. Wailing violins and glistening accordions hark back to traditional 'eastern' instruments, although when paired with screaming electric guitar solos and 1970s punk-influenced drumming – like on John The Conqueror (Truth Is Always The Same) – they reveal a very contemporary sound.

Always a massive hit on any festival line-up and with a passionate Australian following, it was surprising to see Gogol Bordello absent from the first Harvest and Big Day Out line-ups. Their frenetic live shows are a sight to behold, the band's eight members capturing the raucous sound of their recorded work perfectly. Cross your fingers for a last-minute appearance.