Live Review: Peter Hook & The Light

3 October 2017 | 4:32 pm | Chris Familton

"Vocally he nailed it, channeling Ian Curtis and his tone and intonations, but adding a bit of Hook rock bravado."

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Ten days after announcing a settlement with the rest of New Order concerning his use of various New Order and Joy Division assets on merchandising and in the promotion of shows by his new band, Peter Hook returned to Australia for a tour that honours the legacy of both acts, but for this particular show, primarily Joy Division.

Three sets and no support - no-one can accuse Hooky of shortchanging the fans or not putting on a totally professional show. They warmed up with a set of seven New Order songs. There was little in the way of the hits, instead he went for album and EP deep cuts such as In A Lonely Place, Dreams Never End and Procession. It was a low-key and somewhat tentative start that felt like a warm-up for what was to come. By the time they hit Age Of Consent the band and audience had warmed to the occasion and the anticipation of Joy Division albums Closer and Unknown Pleasures, in full, was firmly established.

The Light were excellent at recreating the sound of Joy Division; the primitive synth, the human/machine drumming of Stephen Morris and the dense guitar churn and simple melodic guitar lines. With two bassists in the band, Hook had the freedom to play when he chose, clearly finding it easier to concentrate on the vocals without having to play at the same time. Vocally he nailed it, channeling Ian Curtis and his tone and intonations, but adding a bit of Hook rock bravado. Isolation, the dark and moody Heart And Soul and the even more desolate yet beautiful grandeur of The Eternal were particular highlights.

Unknown Pleasures, now something of an iconic symbol of post punk and the dystopian end of the '70s, sounded a lot better in that the songs are dynamically more fluid and intense. Hook paced the stage, pulled low-slung bass moves and stared out across the audience, surprisingly making no comments between songs. It was a powerful rendering of a classic album with Shadowplay and Day Of The Lords as high points. Returning for a brilliant three song encore of Atmosphere (dedicated to the tragedy in Las Vegas), Transmission and an exultant Love Will Tear Us Apart, Hook tore off his shirt, bowed to the crowd and strode off victorious.

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