Carley Hall is a Gold Coast-based writer who loves spinning a good yarn. She’s worked in print news rooms for more than a decade and now juggles young family life with a busy career in research communication, promoting all types of science from the dire and necessary to the weird and wonderful.
When she’s not doing all of the above, she’s dancing around her living room trying to brainwash her kids into liking her taste in music or getting out to see some gigs. Carley likes the heavy stuff most, but if it’s got hooky melodies, clever lyrics or off-kilter beats nothing is off limits.
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The energy was relentless as A Day To Remember ripped through their extensive catalogue for a hungry Brisbane audience.
Sarah Blasko's headlining gig at Miami Marketta was a unique celebration of one of Australia’s finest songwriters.
Keshi discusses the "magical thing" about Australia, his rapid ascent, songwriting, and more: "The reception is a lot better than I anticipated."
When you think they can’t get bolder in sound and style, Confidence Man lean further into their rave roots on their new album, '3AM (LA LA LA).'
“It's hard to not let outside opinions affect what you're going to do," Marianas Trench's Josh Ramsey says, admitting that he tries to "shut all that stuff off" to create the record he needs to write.
Birds Of Tokyo discuss diverse festival bills and the "integral fabric" of live music, which is in danger of disappearing ahead of Night At The Barracks 2024.
"It'd be amazing to see more females on festival lineups because they are still very much sausage fests, which gives me the sh*ts."
"If something resonates with you, it most likely is going to resonate with somebody else."
A faultless gig with energy and chaos generated by DZ Deathrays fueled the entire show on 11 August.
“I think that’s been through the natural course of simply getting older and more comfortable with letting things go.”